Our Saviour Church – Copenhagen, Denmark
Posted by: dtrebilc
N 55° 40.379 E 012° 35.641
33U E 348695 N 6172308
This church inaugurated in 1695 has a distinctive spire with an external spiral staircase leading to the top of it at a height of 90 metres.
Waymark Code: WMHEYC
Location: Denmark
Date Posted: 07/02/2013
Views: 31
The following details have been extracted from
Wikpedia’s webpage "The church is built in a Dutch baroque style and its basic layout is a Greek cross. The walls rest on a granite foundation and are made of red and yellow tiles but in a random pattern unlike what is seen in Christian IV's buildings where they are generally systematically arranged. The facade is segmented by pilasters in the palladian giant order, that is they continue in the building's entire height. The pilasters are of the Tuscan order with bases and capitals in sandstone. The cornice is also in sandstone but with a frieze in tiles. Between the pilasters are tall round-arched windows with clear glass and iron cames. There are entrances at the gable of the cross arms except for the eastern gable where the sacristy is added. The main entrance is in the western gable below the tower and has a sandstone portal. All entrances are raised four steps from street level. At each side of the tower, there is a gate at street level leading to the two crypts of the church. The roof is vaulted and covered in black-glazed tiles.
The altarpiece is the work of Nicodemus Tessins and is considered[by whom?] a masterpiece. It depicts a scene from the Garden of Gethsemane between two columns, where Jesus is comforted by an angel while another angel hangs in the air beside them, carrying the golden chalice. On each side, two figures of Pietas and Justitia illustrate the King's motto. The two columns carry a broken, curved architrave and gable. Behind the opening of the broken gable is placed a pane with Jahve's name in Hebrew inscribed and lit from behind. Around the pane is an arrangement of gilded beans and cloud formations.
The huge organ with Christian V’s gilded monogram was built by the Botzen Brothers from 1698-1700 and is mounted on the wall and supported by two elephants. The organ has more than 4000 pipes with the original cymbelstern tinkling in the background during a special part of a music piece, and the entire instrument produces the sound that was heard in the church over 300 years ago. The church arranges 15-20 concerts every year together with musical church services on Sundays. The last rebuilding of the organ was in 1965, reusing older pipe work and this instrument is equipped with 57 stops spread over 4 manuals and pedals. The facade of the organ has intricate wood carvings and a bust of Christian V in the centre.
The tower is raised three stories above the western cross arm. The levels are marked by sandstone cornices that become larger with height, and there are round-arched openings on all four sides at each level. The top level is decorated with flat pilasters and from the uppermost cornice has a gilded penetrated clock face centrally on each side. The hands are connected to a clockwork inside the tower.
The black and golden spire reaches a height of 90 metres and the external staircase turns four times anticlockwise around it. Inspiration for the design came from the spiral lantern of Sant'Ivo alla Sapienza, which turns the same way around.
It is built as a timber-framed structure, octagonal at its base, with round-arched openings and round windows with gilded frames. The windows are flanked by gilded pilasters in the composite order. Around
the octagonal base of the spire on the four corners of the square tower, stand four statues of the four evangelists. The octagonal structure is topped by a small platform with a gilded railing and it is from this point that the staircase become external. There is a total number of 400 steps to the top of the spire, the last 150 being outside.
The spire is topped by a vase-like structure, carrying a gilded globe with a 4-meter-tall figure of Christ Triumphant carrying a banner. It has an infamous reputation for being the ugliest sculpture in Copenhagen but is intentionally made with exaggerated proportions because it is only meant to be seen from long distances."