"Tomb of Luis de Góngora y Argote.
In this chapel the famous Cordovan poet Luis de Góngora y Argote was buried , whose remains were exhumed in 1858 at the request of Joaquín Fernández de Córdoba y Pulido , they were placed in lead and wooden boxes inside the chapel itself, to be placed on the wall on the right, and a white marble tombstone was placed on them, written in Latin worship by Luis María Ramírez de las Casas Deza in the year 1864 and which reads as follows:
"THE HOUSE OF LOUIS OF GÓGORA. AND ARGOTE CORDUBENSIS THIS. ALMA THE CHURCH. PORTIONERS OF THE MOST POWERFUL. PHILIP III, KING OF SPAIN, AND PRIESTS IV. THE FAMILY OF THE POET. A very charming character. AND NATIVE LANGUAGE Salts AND THE FACES OF THE FAMOUS WHO. You do. He stopped. The tenth Cal. JUNIAS OR THE LORD 1827 mortals. You will exfoliate. WITHOUT title ITS CONDITION. RELATIVE EXCEL DOM DOM YGNATIUS MARY ABOUT. Slang AND SALGADO MARCHIO DE CABRIÑANA, HONESTARE. DESIRING THIS MONUMENT, TO BE ERECTED. He took care of the Lord. 1864»
In 1985 the side arches of the chapel were released, so in 1992 the tombstone that covered the poet's remains was moved to the left side of the chapel, and an urn with the mortal remains of the poet was placed on the right side of the chapel. poet. The funerary urn was made of marble and iron, and was designed by the master master of the Mosque-Cathedral, Carlos Luca de Tena, and faithfully executed by the García Rueda brothers and by the silversmith Francisco Díaz Roncero. It was placed on April 2, 1993.
At the altar of the chapel of San Bartolomé, a mass for the soul of the poet is celebrated every year on the holiday closest to May 23, the day the Cordovan ration holder died. This religious act joins the cultural events organized on that day by the Royal Academy of Sciences, Fine Letters and Noble Arts of Córdoba ."
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LUIS DE GÓNGORA.
"Luis de Góngora (1561-1627) is the most original and influential poet of the entire Spanish Golden Age . His poetic work of him breaks molds and inaugurates a new language whose virtuality, still insurmountable, continues to set directions in contemporary poetry.
The bright and the dark in Góngora arise from the same protein root, capable of facing the double mirror in which we all look at ourselves; expanding, at the same time, the dimension of its limits. El Polifemo and Las Soledades are the two most imaginative and complex works of universal poetry, challenging human intelligence and reason, showing us a path that no one else knew how to glimpse.".
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