Castlerigg, perhaps the most atmospheric and dramatically sited of all British stone circles, with panoramic views and the mountains of Helvellyn and High Seat as backdrop.
Also among the earliest British circles of the Neolithic period about 3000 BC
"Castlerigg Stone Circle (alternatively Keswick Carles, or Carles) is situated on a prominent hill to the east of Keswick, in the Lake District National Park, North West England. It is one of around 1,300 stone circles in the British Isles and Brittany, constructed as a part of a megalithic tradition that lasted from approximately 3,200 BC to 2500 BC, during the Late Neolithic and Early Bronze Ages.
Various archaeologists have mentioned the beauty and romance of Castlerigg and its surrounding landscape. In his study of the stone circles of Cumbria, archaeologist John Waterhouse commented that the site was "one of the most visually impressive prehistoric monuments in Britain."
Every year, thousands of tourists travel to the site, making it the most visited stone circle in Cumbria. This plateau forms the raised centre of a natural amphitheatre created by the surrounding fells and from within the circle it is possible to see some of the highest peaks in Cumbria: Helvellyn, Skiddaw, Grasmoor and Blencathra.
The stones are glacial erratic boulders composed of volcanic rock from the Borrowdale Volcanic Group. Both andesitic lavas and tuffs (volcanic ashes) are represented. Castle Rigg sits on a deposit of glacial till, and it is likely that the boulders were originally part of this deposit. The stones are set in a flattened circle, measuring 32.6 m (107 ft) at its widest and 29.5 m (97 ft) at its narrowest. The heaviest stone has been estimated to weigh around 16 tons and the tallest stone measures approximately 2.3m high. There is a 3.3m wide gap in its northern edge, which may have been an entrance. Within the circle, abutting its eastern quadrant, is a roughly rectangular setting of a further 10 stones. The circle was probably constructed around 3200 BC (Late Neolithic/Early Bronze Age), making it one of the earliest stone circles in Britain and possibly in Europe. It is important to archaeoastronomers who have noted that the sunrise during the Autumn equinox appears over the top of Threlkeld Knott, a hill 3.5 km to the east. Some stones in the circle have been aligned with the midwinter sunrise and various lunar positions.
There is a tradition that it is impossible to count the number of stones within Castlerigg; every attempt will result in a different answer. This tradition, however, may not be far from the truth. Due to erosion of the soil around the stones, caused by the large number of visitors to the monument, several smaller stones have ‘appeared’ next to some of the larger stones. Because these stones are so small, they are likely to have been packing stones used to support the larger stones when the circle was constructed and would originally have been buried. Differences in opinion as to the exact number of stones within Castlerigg are usually down to whether the observer counts these small packing stones, or not; some count 38 and others, 42. The ‘official’ number of stones, as represented on the National Trust information board at the monument, is 40.
In the early 20th century, a single outlying stone was erected by a farmer approximately 90m to the south west of Castlerigg. This stone has many linear ‘scars’ along its side from being repeatedly struck by a plough, suggesting that it was once buried below the surface and also why the farmer dug it up. It is not possible to say whether this stone was originally part of the circle, or just a naturally deposited boulder.
The original motives behind the construction of Castlerigg, its subsequent uses, and how these may have changed over time are not known. Current thinking has linked Castlerigg with the Neolithic Langdale axe industry in the nearby Langdale fells: the circle may have been a meeting place where these axes were traded or exchanged. Ritually deposited stone axes have been found all over Britain, suggesting that their uses went far beyond their practical capabilities. Exchange or trading of stone axes may not have been possible without first taking part in a ritual or ceremony.
The apparently unspoilt and seemingly timeless landscape setting of Castlerigg stone circle provided inspiration for the poets, painters and writers of the 19th-century Romantic movement. In John Keats’ Hyperion, the passage “Scarce images of life, one here, one there,/Lay vast and edgeways; like a dismal cirque/Of Druid stones, upon a forlorn moor…“ is alleged to have been inspired by his visit to the stones; a visit, it seems, with which he was less than impressed. Samuel Taylor Coleridge, in 1799, visited Castlerigg with fellow poet William Wordsworth and wrote of it, that a mile and a half from Keswick stands “…a Druidical circle [where] the mountains stand one behind the other, in orderly array as if evoked by and attentive to the assembly of white-vested wizards”.
An early description of Castlerigg stone circle can be found in the 1843 book The Wonders of the World in Nature, Art and Mind, by Robert Sears.
Castlerigg stone circle was one of the monuments included in the Ancient Monuments Protection Act 1882, which included a 'Schedule' of 68 sites in Great Britain and Ireland. It thus became one of the first scheduled ancient monuments. The following year the stone circle was 'taken in to state care'. Under the 1882 act a deed of guardianship could be entered into by a landowner, in which the monument, but not the land it stands on, becomes the property of the state. As one of the first such sites to enter into such an agreement it occupies a small place in the history of archaeological conservation. In 1913, Canon Hardwicke Rawnsley, one of the founders of the National Trust, was among the prime organisers of a public subscription which bought the field in which the stone circle stands, which he then donated to the National Trust. Responsibility for the stone circle remains with English Heritage, the successor body to the Ministry of Works, whilst ownership of the site is retained by the National Trust."
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