The Curtea Veche or the Old Court was established by Vlad III Dracula in 1459 and used as the Palace for succeeding leaders in Bucharest.
Mateiu Caragiale's novel "Craii de Curtea-Veche" uses the Court as the setting for his story about the decay of Bucharest's libertine society in the 19th century.
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"Craii de Curtea-Veche (-Romanian for The Old Court Libertines - could also be understood to mean "The Curtea Veche Kings", based on the common reference to well-to-do unmarried men as crail) is a novel by the inter-war Romanian author Mateiu Caragiale. Published in 1929, it took the author more than two decades to complete, and constituted his only major work.
The short epic is not as much celebrated for its plot as much as it is for its style, blending a contemplative attitude inspired by Marcel Proust and fin de siècle decadence, inviting the reader into a decaying, "Levantine" 19th century Bucharest, and prefigurating the intense debate among a whole generation of Romanian intellectuals about what Romanian specificity is (a controversy which was to culminate in Emil Cioran's philosophy).
Plot summary
Written as a first-person narrative, Craii de Curtea-Veche depicts the lives of the rich and educated boyar family descendants Pasadia and Pantazi, who are often visited by the narrator. The latter admits his admiration for Pasadia and his fascination with Pantazi.
The two's mysterious existence is revealed only through conversations and banquet episodes, which tend to end in champagne-drinking bouts and orgies. They appear versed in Western manners and refined salon culture, but love to refresh their senses by submerging in the muddy atmosphere of Bucharest brothels.
Their destiny intersects with that of Gore Pîrgu, a brutish self-seeker who is on his way up on the social scale. A combination of venality, depravity and bombastic, often demagogic discourse, Pîrgu is meant to illustrate the alternative and undertoned "Balkan-like" Romanian identity. He manages to sell Ilinca, an impoverished young noblewoman, to the libertine Pasadia, but the latter is defied by Pantazi, who offers to marry Ilinca himself and thus save her family's honour. However, fate puts an end to such a romantic happy ending, as the young woman catches scarlet fever and dies, while Pasadia ends his adventurous life in a heart attack during one of his sexual escapades. The latter stage of the novel corresponds with the onset of World War I and the drastic changes it brought to Romanian society.
Major themes
Mateiu Caragiale, natural son of the highly influential dramatist Ion Luca Caragiale, created his work in an intricate and original style. Craii.. is unique in Romanian literature through its ability to recall a rather fragile moment in history, and its distanced, discreet, and sober way of detailing a decaying social environment (and most of all its casual mixture of abjection and a high sense of morality).
The novel's motto, borrowed from Raymond Poincaré, resumes the essence of Caragiale's fresco: "What do you expect? We are here at the Gates of The Orient, where nothing is ever too severe".
A screen version of Craii de Curtea-Veche, directed by Mircea Veroiu, was released in 1995."