The songwriting partnership of Mick Jagger and Keith Richards, known as Jagger/Richards (and occasionally Richards/Jagger), is a musical collaboration whose output has produced the majority of the catalogue of The Rolling Stones. It is one of the most successful songwriting partnerships in history.
In addition to Jagger and Richards's songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym The Glimmer Twins.
Jagger and Richards have different recollections about their first songwriting endeavours but both credit manager Andrew Loog Oldham as the catalyst for their collaboration. Richards agrees that it was Oldham who pressed the pair to write songs after the duo had first emphasized other people's material; Oldham noted that there weren't that many obscure great songs out there for the band to cover. According to him:
“So what Andrew Oldham did was lock us up in the kitchen for a night and say, 'Don't come out without a song.' We sat around and came up with 'As Tears Go By'. It was unlike most Rolling Stones material, but that's what happens when you write songs, you immediately fly to some other realm. The weird thing is that Andrew found Marianne Faithfull at the same time, bunged it to her and it was a f*****' hit for her – we were songwriters already! But it took the rest of that year to dare to write anything for the Stones.”
Jagger's version is:
“Keith likes to tell the story about the kitchen, God bless him. I think Andrew may have said something at some point along the lines of 'I should lock you in a room until you've written a song' and in that way he did mentally lock us in a room, but he didn't literally lock us in. One of the first songs we came out with was that tune for George Bean, the very memorable 'It Should Be You'.”
According to John Lennon, he and Paul McCartney might have been instrumental in inspiring Jagger and Richards to start writing their own material. In 1963 Lennon and McCartney gave the Stones one of their compositions, "I Wanna Be Your Man." In a Playboy interview in 1980, Lennon recalled:
“We were taken down to meet them at the club where they were playing in Richmond by Brian [Epstein] and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, "Yeah, OK, that's our style." But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and that's how Mick and Keith got inspired to write... because, "Jesus, look at that. They just went in the corner and wrote it and came back!" You know, right in front of their eyes we did it. So we gave it to them.”
The first original Jagger/Richards song to be released as the A-side of a Rolling Stones single was "Tell Me (You're Coming Back)", from their debut album. Released as a single in the US only, peaked at number 24 on the charts there. The earlier "Good Times, Bad Times" had been released as the B-side to their cover of Bobby and Shirley Womack's "It's All Over Now". The band's first UK single featuring an a-side Jagger/Richards original was "The Last Time"; released in February 1965, it went to number 1 in the UK and number 9 in the US.
Although most Jagger/Richards compositions have been collaborations, some of the songs credited to the famous partnership have been most frequently solo songwriting from either Jagger, whose examples include "Sympathy for the Devil" and "Brown Sugar", or Richards, whose examples include "Happy", "Ruby Tuesday", and "Little T&A". This is comparable to the Lennon–McCartney partnership, who also adhered to a tradition of joint credits even on numbers that were written by just one of the pair. As Mick Jagger stated in his comprehensive 1995 interview with Jann Wenner of Rolling Stone magazine, "I think in the end it all balances out."
One of the patterns that the Jagger/Richards collaboration initially followed has been that Jagger wrote most of the lyrics while Richards focused on the music. Jagger discussed this in the same 1995 interview with Wenner, whereby he explained how songs like "Get Off of My Cloud", "As Tears Go By", "Wild Horses", "Tumbling Dice" and "Beast of Burden" were created. Jagger has also pointed out that this pattern was more prevalent in the early 1960s, while in their later collaborations their roles have overlapped more, with both of them contributing lyrics and music.
On 26 June 2013, the duo's songwriting credits were handed over to BMG, marking the first time they would be managed by an outside company in over 40 years.
Jagger and Richards adopted the nickname "The Glimmer Twins" after a vacation cruise they took to Brazil in December 1968/January 1969 with their then-girlfriends, Marianne Faithfull and Anita Pallenberg. An older English couple on the ship kept asking Richards and Jagger who they were. When they refused to reveal their identities, the woman reportedly kept asking, "just give us a glimmer" (as in "give us a hint about who you are"), which amused Jagger and Richards.
Jagger and Richards began to produce the Stones' albums under the pseudonym "The Glimmer Twins" starting with It's Only Rock 'n' Roll (released in 1974). The Glimmer Twins were the sole credited producers for the band's studio and live albums from that point through "Still Life" (American Concert 1981) (released in 1982). Starting with Undercover (released in 1983), the Glimmer Twins have shared production credit for the Rolling Stones albums with other producers, most frequently Don Was (five times) and Chris Kimsey (three times).
Besides their production work for the Rolling Stones, Jagger and Richards also used the Glimmer Twins for their co-production credit on Peter Tosh's album Bush Doctor, released in 1978. A rare exception to Jagger and Richards's use of the Glimmer Twins name for production credits appeared on John Phillips's Pay, Pack and Follow album, recorded 1973–1979 and released in 2001, for which Jagger and Richards were credited as producers under their own names.
A blue plaque has been unveiled to mark the chance encounter between Mick Jagger and Keith Richards which had a profound effect on rock music.
Jagger and Richards had their first proper meeting on platform two of Dartford station on 17 October 1961.
They bonded over a love of the blues and formed a musical friendship that would lead to the foundation of The Rolling Stones in 1962.
The heritage plaque was unveiled at the station on Thursday.
"We've held a low key event today because Dartford is a working railway station and platform two is a modest space considering the station's enormous role in pop music history," Dartford Borough Council leader Jeremy Kite said.
"I hope that in the years ahead many thousands of rail passengers will enjoy looking at the plaque and realising what a huge part the station played in bringing The Rolling Stones together."
When they met, Richards was on his way to Sidcup Art College, carrying a hollow-bodied Höfner cutaway electric guitar, while Jagger was travelling to the London School of Economics with some of his prized blues records.
The teenagers recognised each other as they had both gone to Wentworth Primary School in the town, with Jagger then going on to study at Dartford Grammar.
The Rolling Stones formed in 1962, and went on to become one of the most successful, influential and enduring rock 'n' roll bands in the history of music.