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Judith and Holofernes by Donatello The bronze sculpture Judith and Holofernes (1460), created by Donatello at the end of his career, can be seen in the Hall of Lilies (Sala dei Gigli), in the Palazzo Vecchio, Florence, Italy. A copy stands in one of the sculpture's original positions on the Piazza della Signoria, in front of the Palazzo Vecchio. It depicts the assassination of the Assyrian general Holofernes by Judith and is remarkable for being one of the first Renaissance sculptures to be conceived in the round, with its four distinct faces.
The statue was commissioned by Cosimo de' Medici as a decoration for the fountain in the garden of the Palazzo Medici-Riccardi. It stood in this palace together with Donatello's David, standing in the courtyard, both depicting tyrant slayers. These two statues are among the earliest freestanding bronze Italian Renaissance statues conceived "in the round".
Judith is considered the symbol of liberty, virtue and victory of the weak over the strong in a just cause. She stands powerful with raised sword, holding the head of Holofernes by his hair. The statue was originally gilded and its shine in the sunlight must have made the onlookers stare at it; some gilding remains on the sword. To facilitate the gilding the bronze was cast in 11 parts. The base of the sculpture resembles a cushion, a naturalistic device first used by Donatello for his St. Mark in the Orsanmichele.
It is believed that an inscription on the granite pedestal originally read, "Kingdoms fall through luxury [sin], cities rise through virtues. Behold the neck of pride severed by the hand of humility." This dramatic and detailed statue is thus a metaphor of the Medici rule, as the defenders of Florentine liberty, akin to Judith, slayer of the tyrant Holofernes and defender of the people. This view is supported by accounts that mention a second inscription on the pedestal which read, "The salvation of the state. Piero de' Medici son of Cosimo dedicated this statue of a woman both to liberty and to fortitude, whereby the citizens with unvanquished and constant heart might return to the republic." Inscribed on the cushion are the words OPVS . DONATELLI . FLOR (the work of the Florentine, Donatello), this being the only surviving signed work by the artist.
In 1495, the sculpture was placed on the Piazza della Signoria, at the side of main door the Palazzo Vecchio, in memory of the expulsion of Piero di Lorenzo de' Medici from Florence and the introduction of the Florentine republic under Girolamo Savonarola. This time, this statue symbolized the expulsion of the tyrannical Medici. The statue was later moved to the courtyard inside the Palazzo Vecchio, and still later into the Loggia dei Lanzi. In 1919, it was then placed on the left side of the Palazzo Vecchio. It was replaced by a bronze copy in 1988 and the original, after restoration, was given a final place in the Sala dei Gigli inside the Palazzo Vecchio."
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Judith"Judith, the heroine of the Book of Judith (Bible). She is a widow, once married to a certain Manasses. She uses her charm to become an intimate friend of Holofernes, but finally beheads him allowing Israel to counter-attack the Assyrians. "
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Holofernes"In the deuterocanonical Book of Judith, Holofernes (Hebrew, ????????) was an invading general of Nebuchadnezzar. Nebuchadnezzar dispatched Holofernes to take vengeance on the nations of the west that had withheld their assistance to his reign. Holofernes occupied all the nations along the sea coast and destroyed all the gods of the nations, so that all nations would worship Nebuchadnezzar alone. Holofernes was warned by Achior, the leader of the children of Ammon, against attacking the Jewish people. Holofernes and his followers were angered by Achior. They rebuked him, insisting that there was no god other than Nebuchadnezzar.
Judith Cutting Off the Head of Holofernes by Trophime Bigot (circa 1640) The Walters Art Museum.
The general laid siege to Bethulia, commonly believed to be Meselieh, and the city almost surrendered. Holofernes' advance stopped the water supply to Bethulia. The people lost heart and encouraged Ozias and their rulers to give way. The leaders vowed to surrender if no help arrived within five days.
Bethulia was saved by Judith, a beautiful Hebrew widow who entered Holofernes's camp and seduced him. Judith then beheaded Holofernes while he was drunk. She returned to Bethulia with the severed head, and the Hebrews defeated the enemy. Hebrew versions of the tale in the Megillat Antiochus and the Chronicles of Jerahmeel identify "Holoferenes" as Nicanor whence the name "Holofernes" in the Greek version would be a deliberately cryptic name similar to the use of "Nebuchadnezzar" for Antiochus.
Holofernes is depicted in Geoffrey Chaucer's The Monk's Tale in The Canterbury Tales, and in Dante's Purgatorio (where Holofernes is to be found on the Terrace of Pride as an example of "pride cast down"). As a painter's subject it offers the chance to contrast the flesh and jewels of a beautiful, festively attired woman with the grisly victim, a deuterocanonical parallel to the Yael sequence in the Hebrew Bible, as well as the New Testament vignette of Salome with the head of John the Baptist."
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