The Victoria Hospital for Sick Children - Toronto, Ontario - Architecture Prizes on Waymarking.com

The construction of the five-storey building was a very important step in the history of the hospital since it was previously located in a small downtown house which was rented for sixteen years by Elizabeth McMaster, the founder of the hospital, with support from a group of Toronto women.

The building, which is made of sandstone, expresses the mood of the late 1880s when, under the influence of American architecture, Richardsonian Romanesque became a new trend in the design of buildings. In essence, as Kelly Crossman, the author of “Architecture in Transition: From Art to Practice, 1885-1906” claims, “during the last part of the nineteenth century, Canadian architecture was influenced by architectural trends in France, Great Britain, and the United States of America, and this impact was based on cultural and commercial connections”. In the 1880s, architects in the United States were experimenting with the construction of buildings using Romanesque style, as it had already begun to dominate American architecture. Since American and Canadian lifestyles were similar, and business connections were so tight, the new American architectural taste affected Canadian architects. The new trend influenced most Canadian architects, including Darling whose “favourite High Victorian Gothic design was no longer fashionable”

Expressing the mood of Canadian architecture of the late 1880s, the building has an impressive contrast against a background consisting of modern and postmodern architectural styles. The solidity of the exterior design of the building is due to the heavily rusticated stone that was used in the construction of massive, thick walls. It is further emphasized by stone masonry, cavernous door opening, deep window reveals, and bands of windows. The roof of the Canadian Blood Services building has multiple steeply pitched roofs, an ordinary element of the Romanesque Revival architecture which provided the ventilation to the building.

The main entrance is one of the key elements of the building. In fact, having a cavernous door opening with steps and an entrance ramp for wheel-chair access in front of it, the entrance attracts even those who are not interested in architecture. Rusticated at the base, the arched entrance seems to be massive at the bottom; nonetheless, as it goes upper, the heavy stones are changed with smooth bricks, adding the impression of flow into the front facade.

Architect: Darling and Curry Prize received: RIBA Royal Gold Medal In what year: 1915 Website about the Architect: [Web Link] Website about the building: [Web Link]

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Date Logged Log   11/20/2016 Bon Echo visited it