It was originally constructed as a small fortress in AD 889 on the remains of Roman fortifications, and then largely ignored until its ruins were renovated and rebuilt in the mid-13th century by the Nasrid emir Mohammed ben Al-Ahmar of the Emirate of Granada, who built its current palace and walls. It was converted into a royal palace in 1333 by Yusuf I, Sultan of Granada. After the conclusion of the Christian Reconquista in 1492, the site became the Royal Court of Ferdinand and Isabella (where Christopher Columbus received royal endorsement for his expedition), and the palaces were partially altered in the Renaissance style. In 1526 Charles I & V commissioned a new Renaissance palace better befitting the Holy Roman Emperor in the revolutionary Mannerist style influenced by Humanist philosophy in direct juxtaposition with the Nasrid Andalusian architecture, but which was ultimately never completed due to Morisco rebellions in Granada.
Alhambra's latest flowering of Islamic palaces were built for the last Muslim emirs in Spain during the decline of the Nasrid dynasty who were increasingly subject to the Christian Kings of Castile. After being allowed to fall into disrepair for centuries, the buildings occupied by squatters, Alhambra was rediscovered following the defeat of Napoleon, who had conducted retaliatory destruction of the site. The rediscoverers were first British intellectuals and then other north European Romantic travelers. It is now one of Spain's major tourist attractions, exhibiting the country's most significant and well-known Islamic architecture, together with 16th-century and later Christian building and garden interventions. The Alhambra is a UNESCO World Heritage Site and the inspiration for many songs and stories. Source: (
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"On a hill overlooking Granada, the Alhambra—a sprawling palace-citadel that comprised royal residential quarters, court complexes flanked by official chambers, a bath, and a mosque—was begun in the thirteenth century by Ibn al-Ahmar, founder of the Nasrid dynasty, and was continued by his successors in the fourteenth century. Its most celebrated portions—a series of courtyards surrounded by rooms—present a varied repetoire of Moorish arched, columnar, and domical forms. The romantic imagination of centuries of visitors has been captivated by the special combination of the slender columnar arcades, fountains, and light-reflecting water basins found in those courtyards—the Lion Court in particular; this combination is understood from inscriptions to be a physical realization of descriptions of Paradise in Islamic poetry."
— Marvin Trachtenberg and Isabelle Hyman. Architecture: from Prehistory to Post-Modernism. p219.