"12 Victoria is a large main-belt asteroid.
It was discovered by J. R. Hind on September 13, 1850.
Victoria is officially named after the Roman goddess of victory, but the name also honours Queen Victoria. The goddess Victoria (Nike for the Greeks) was the daughter of Styx by the Titan Pallas. The coincidence with the name of the then-reigning queen caused quite a controversy at the time, and B. A. Gould, editor of the prestigious Astronomical Journal, adopted the alternate name Clio (now used by 84 Klio), proposed by the discoverer. However, W. C. Bond, of the Harvard College Observatory, then the highest authority on astronomy in America, held that the mythological condition was fulfilled and the name therefore acceptable, and his opinion eventually prevailed.
Radar and speckle interferometry observations show that the shape of Victoria is elongated, and it is suspected to be a binary asteroid.
Victoria has only ever been observed to occult a star thrice since its discovery." SOURCE
"In ancient Roman religion, Victoria was the personified goddess of victory. She is the Roman equivalent of the Greek goddess Nike, and was associated with Bellona. She was adapted from the Sabine agricultural goddess Vacuna and had a temple on the Palatine Hill. The goddess Vica Pota was also sometimes identified with Victoria.
Unlike the Greek Nike, the goddess Victoria (Latin for "victory") was a major part of Roman society. Multiple temples were erected in her honor. When her statue was removed in 382 CE by Emperor Gratianus there was much anger in Rome. She was normally worshiped by triumphant generals returning from war.
Also unlike the Greek Nike, who was known for success in athletic games such as chariot races, Victoria was a symbol of victory over death and determined who would be successful during war.
Victoria appears widely on Roman coins, jewelry, architecture, and other arts. She is often seen with or in a chariot, as in the late 18th-century sculpture representing Victory in a quadriga on the Brandenburg Gate in Berlin, Germany; "Il Vittoriano" in Rome has two." SOURCE
"Thorvaldsens Museum
Thorvaldsens Museum is situated in the centre of Copenhagen. The museum building is very characteristic with its strong colours, the unusual façade with its large gates and sloping lines around all gates and windows.
On the roof the goddess of victory, Victoria, drives her four-in-hand and expresses the fame, which Thorvaldsen achieved in both his time and today. Inside the Museum the colours are equally strong both on the lavishly decorated ceilings, in the patterns of the floors and in the colours of the walls. And the light is fantastic in the Museum when it falls through the windows set high up and gives shape and shadow to the sculptures and reliefs.
The first museum building in Denmark
Thorvaldsens Museum was built from 1839 to 1848 and is Denmark’s oldest museum building. The Museum opened on September 18, 1848. Thorvaldsen lived and worked in Rome from 1797 to 1838 and became a famous European artist. Back home in Denmark the wish grew for a museum to be built for him. Here the original models in plaster for his sculptures were to be exhibited, and here Thorvaldsen’s collections of contemporary art and of objects from Egyptian, Greek and Roman Antiquity were to be displayed. Thorvaldsen donated everything he owned to Copenhagen and with contributions from King Frederik VI, King Christian VIII, and also from the Copenhagen local government the Museum was built.
About the museum and the architect M.G. Bindesbøll
Thorvaldsens Museum was built on the site next to Christiansborg Palace, occupied by a building housing the royal coaches and wagons. Parts of the old building are still inside the walls of the Museum. The Museum’s architect was the young Michael Gottlieb Bindesbøll (1800 – 1856), who had stayed in Rome in the 1830s and was familiar with Thorvaldsen and his sculptures. Bindesbøll drew several fantastic projects for the Museum while in Rome, but in the end the result was instead a complete conversion of the existing wagon building. The Christ hall and the entrance hall were, however, newly erected." SOURCE