Bello confesionario de madera de pino de unos dos metros de alto por uno de ancho, tintado y lacado, relegado a un segundo plano en el fondo de la iglesia, en una de sus esquinas.
Es para un solo penitente, el cual en este confesionario no se sienta, sino que se arrodilla para hablar con el confesor.
Por la parte del confesor hay dos pequeñas puertas separadas, que impiden la visión de las piernas y de la cara del sacerdote.
Viendo estos muebles de madera realizados a mano, da un poco de pena ver como se están apartando a lugares donde ya casi no se ven porque están cayendo en desuso.
"La iglesia supuestamente fue fundada en 864 cuando los ciudadanos de la ciudad continental de Aquileia huyeron a las islas de la laguna de Venecia para evitar las hordas bárbaras. Era una de las iglesias bajo la jurisdicción del patriarca de Grado que vivía en Venecia. Está dedicada a Canzio, Canziano y Canzianilla, dos hermanos y una hermana que fueron martirizados por su fe en Aquileia. La iglesia en el sitio fue renovada en 1330, consagrada en 1351 y restaurada en 1550, y nuevamente remodelada finalmente a principios del siglo XVIII según un diseño de Antonio Gaspari. La fachada fue reconstruida en 1706 con un legado de Michele Tommasi. El campanariodata de 1532. El techo de la nave se elevó durante la reconstrucción a mediados del siglo XVIII utilizando diseños de Giorgio Massari .
Los cuatro altares laterales dedicados a la Virgen tienen lienzos de Giuseppe Angeli y Bartolomeo Letterini . La rica decoración escultórica y de estuco fue aportada por la familia Widmann. Clemente Molli esculpió la estatua de San Máximo , primer obispo de Cittanova en Istria . El retablo del presbiterio representa La Gloria de los Santos mártires Canzio, Canziano y Canzianilla atribuido a Paolo Zoppo . Está flanqueado por una pintura del Estanque probatorio y la Multiplicación de los panes de Domenico Zanchi .
La capilla de la izquierda dedicada a San Venerando contiene un retablo de la Virgen y San Filippo Neri de Nicola Ranieri . El Altar de la Virgen Inmaculada, segundo a la izquierda, fue financiado por Flaminio Rincón en 1735."
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Beautiful pine wood confessional about two meters high by one meter wide, stained and lacquered, relegated to the background at the back of the church, in one of its corners.
It is for a single penitent, who in this confessional does not sit, but kneels down to speak with the confessor.
On the confessor's side there are two small separate doors, which prevent the view of the legs and face of the priest.
Seeing these wooden furniture made by hand, it is a bit sad to see how they are moving away to places where they are hardly seen anymore because they are falling into disuse.
Beautiful tinted and lacquered wooden confessional in one of the corners of the church.
It is for a single user, although I have seen confessions to be used by two faithful.
On the priest's side there are two separate small doors, which prevent the view of the priest's legs and face.
Seeing these wooden furniture made by hand, it is a bit sad to see how they are moving away to places where they are hardly seen anymore because they are falling into disuse.
"The church was supposedly founded in 864 when the citizens of the mainland city of Aquileia fled to the islands of the Venetian lagoon to avoid barbarian hordes. It was one of the churches under the jurisdiction of the Patriarch of Grado who lived in Venice. It is dedicated to Canzio, Canziano and Canzianilla, two brothers and a sister who were martyred for their faith in Aquileia. The church on the site was renovated in 1330, consecrated in 1351, and restored in 1550, and again finally remodeled in the early 18th century to a design by Antonio Gaspari. The façade was rebuilt in 1706 with a bequest from Michele Tommasi. The bell tower dates from 1532. The roof of the nave was raised during reconstruction in the mid-18th century using designs by Giorgio Massari.
The four side altars dedicated to the Virgin have canvases by Giuseppe Angeli and Bartolomeo Letterini. The rich sculptural and stucco decoration was provided by the Widmann family. Clemente Molli sculpted the statue of Saint Maximus, the first Bishop of Cittanova in Istria. The altarpiece in the chancel depicts The Glory of the Holy Martyrs Canzio, Canziano and Canzianilla attributed to Paolo Zoppo. It is flanked by a painting of the Probationary Pool and the Multiplication of the Loaves by Domenico Zanchi.
The chapel on the left dedicated to San Venerando contains an altarpiece of the Madonna and San Filippo Neri by Nicola Ranieri. The Altar of the Immaculate Virgin, second on the left, was financed by Flaminio Rincón in 1735."
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