The Arts of War: Valor - Arlington Memorial Bridge - Washington, DC
Posted by: 
YoSam.
N 38° 53.309 W 077° 03.123
18S E 322022 N 4306402
The horse, rider and mate on the SE corner of the entrance to Arlington memorial Bridge
Waymark Code: WMW8GZ
Location: District of Columbia, United States
Date Posted: 07/24/2017
Views: 3
County of statue: District of Columbia
Location of statue: S. pillar of Arlington Memorial Bridge at the convergence of Ohio Drive & Independence Ave., Washington
Artist: Leo Friedlander, 1888-1966, sculptor
V. Tonelli, carver
Architect: McKim, Mead & White, Architectural Firm
Founder: Fonderia Battaglia
Monument Text:
(Front Base):
VALOR
LEO FRIEDLANDER SCULPTOR
CAST IN BRONZE MILAN 1950
A GIFT FROM THE PEOPLE OF ITALY
TO THE PEOPLE OF THE UNITED STATES
Proper Description: One of two equestrian statues which flank the entrance to the bridge. Each statue depicts a nude male rider symbolic of the nation's defensive power. In Valor, a nude female figure representing the strong spirit of Americans walks on the proper left of the rider. A shield is attached to her proper left arm which swing back behind her. Her proper right arm is raised up toward the rider. A cape is draped behind her. The base is adorned with a row of 36 stars which represent the number of states at the end of the Civil War. On the front of the base is a carved wreath." ~ Smithsonian American Art Museum
Remarks: "This sculpture and its companion, "Sacrifice" (IAS 76009562), were commissioned in 1929 originally in Mt. Airy granite per McKim, Mead & White's overall designs for Memorial Bridge. Although the artist had completed his 1916 study for "Valor" in bronze, when he received the commission for the Arlington Bridge sculptures, he translated his composition into stone and then designed the companion, "Sacrifice," in stone as well.
Several plaster studies had to be made before the sculptures could gain government approval. In the meantime, funding for the sculptures was impounded under the Economy Act of 1933. When the funds were released, the cost of granite and carving had increased beyond what had been appropriated, so in 1941, the National Park Service changed the medium to bronze. The artist had to redesign his sculptures for bronze and again create plaster models. By the time full-size plastilene models were complete in 1944, the country was in the midst of World War II and since bronze was a critical war material, the execution of the sculptures was delayed again until after the War.
In 1946, the sculptures were cast in plaster and transferred to the U.S. government's warehouse in New York. By then it was 1947 and the cost of bronze was twice what it had been before the War, making the cost of the sculptures higher than what was originally appropriated. Finally, in 1949, Italy agreed to cast the sculptures as a gift to the U. S. in appreciation for post-war aid. The sculptures were cast in Italy and gilded using the rare "mercury gilding" process. The wreath on the base was carded by V. Tonelli, a local stonecarver." ~ Smithsonian American Art Museum