Museum Welcome Carvings - Troy, MT
Posted by: Groundspeak Premium Member T0SHEA
N 48° 27.441 W 115° 53.516
11U E 581922 N 5367727
The Troy Museum & Visitor Centre boasts a wonderfully carved wooden sign along Highway 2.
Waymark Code: WMV6FF
Location: Montana, United States
Date Posted: 03/03/2017
Published By:Groundspeak Premium Member adgorn
Views: 0

Catalogued in the Smithsonian Institution's Catalog of American Art, this sign does a wonderful job of alerting passers by that they are approaching the Troy Museum. On each end of the sign, itself a fine example of the wood carver's art, are a gold panner and a logger, the whole carved entirely by chain saw by Dave Clarke of Eureka, MT.

Near the south end of town at Callahan Creek, the museum is housed in Troy's one time Great Northern Railway depot. Surrounding the building are various artefacts and machines depicting the farming and mining history of Troy. The building itself was moved onto the museum property some time after it ceased to be used as a railway depot by the Great Northern.
Troy Museum, (sculpture)
Two male figures of a gold prospector and a logger are at either end of the signage for a museum. The north figure, the prospector, is bearded, wears a hat, suspenders and shirt with rolled-up sleeves. He holds a gold pan in his proper right hand and a shovel in his proper left hand. The logger steps up from the uncarved portion of the base. He rests his proper right hand on his proper right bent knee. His proper left hand rests on his axe handle.
From the Smithsonian Institution
TITLE: Troy Museum, (sculpture)

ARTIST(S): Dave Clarke

DATE: July 1988

MEDIUM: Ponderosa Pine and Cedar

CONTROL NUMBER: IAS MT000341

Direct Link to the Individual Listing in the Smithsonian Art Inventory: [Web Link]

PHYSICAL LOCATION:
141 St Regis Haul Road Troy, MT 59935


DIFFERENCES NOTED BETWEEN THE INVENTORY LISTING AND YOUR OBSERVATIONS AND RESEARCH:
Possibly a bit of aging but nothing worth noting.


Visit Instructions:
Please give the date of your visit, your impressions of the sculpture, and at least ONE ORIGINAL PHOTOGRAPH. Add any additional information you may have, particularly any personal observations about the condition of the sculpture.
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