The grand Victory Arch at London's Waterloo Station is a sight deserving of real appreciation. Unfortunately for most of the folks who pass through what is Britain's busiest train station, it may not get even a second glance.
The dramatic Victory Arch along York Road is a masterpiece of elegaic symbolism in sculpture, topped by a powerful representation of Britannia holding aloft the torch of Victory over her enemies in the Great war of 1914-1918. On her left arm she wears a shield with the flag of the United Kingdom, and in her left hand she holds the Trident, a symbol of British naval power and empire.
Britannia's warlike appearance was based on the Roman Goddess Minerva.
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"Britannia was the Greek and Roman term for the geographical region of Great Britain which was inhabited by the Britons and is the name given to the female personification of the island. It is a term still used to refer to the island today. The name is Latin, and derives from the Greek form Prettanike or Brettaniai, which originally designated a collection of islands with individual names, including Albion or Great Britain; however, by the 1st century BC, Britannia came to be used for Great Britain specifically. In AD 43 the Roman Empire began its conquest of the island, establishing a province they called Britannia, which came to encompass the parts of the island south of Caledonia (roughly Scotland). The native Celtic inhabitants of the province are known as the Britons. In the 2nd century, Roman Britannia came to be personified as a goddess, armed with a trident and shield and wearing a Corinthian helmet.
The Latin name Britannia long survived the Roman withdrawal from Britain in the 5th century, and yielded the name for the island in most European and various other languages, including the English Britain and the modern Welsh Prydain. After centuries of declining use, the Latin form was revived during the English Renaissance as a rhetorical evocation of a British national identity. Especially following the Acts of Union in 1707, which joined the Kingdoms of England and Scotland, the personification of the martial Britannia was used as an emblem of British imperial power and unity. She was featured on all modern British coinage series until the redesign in 2008, and still appears annually on the gold and silver "Britannia" bullion coin series. In 2015 a new definitive £2 coin was issued, with a new image of Britannia.
Greek and Roman periods
Main articles: Roman Britain and Britain
The first writer to use a form of the name was the Greek explorer and geographer Pytheas in the 4th century BC. Pytheas referred to Prettanike or Brettaniai, a group of islands off the coast of North-Western Europe. In the 1st century BC, Diodorus Siculus referred to Pretannia,[1] a rendering of the indigenous name for the Pretani people whom the Greeks believed to inhabit the British Isles.[2][3] Following the Greek usage, the Romans referred to the Insulae Britannicae in the plural, consisting of Albion (Great Britain), Hibernia (Ireland), Thule (possibly Iceland or Orkney) and many smaller islands. Over time, Albion specifically came to be known as Britannia, and the name for the group was subsequently dropped.[1] That island was first invaded by Julius Caesar in 55 BC, and the Roman conquest of the island began in AD 43, leading to the establishment of the Roman province known as Britannia.
The Romans never successfully conquered the whole island, building Hadrian's Wall as a boundary with Caledonia, which covered roughly the territory of modern Scotland, although in fact the whole of the boundary marked by Hadrian's Wall lies within modern-day Northern England. A southern part of what is now Scotland was occupied by the Romans for about 20 years in the mid-2nd century AD, keeping in place the Picts to the north of the Antonine Wall. People living in the Roman province of Britannia were called Britanni, or Britons. Ireland, inhabited by the Scoti, was never invaded and was called Hibernia. Thule, an island "six days' sail north of Britain, and [...] near the frozen sea", possibly Iceland, was also never invaded by the Romans.
The Emperor Claudius paid a visit while Britain was being conquered and was honoured with the agnomen Britannicus as if he were the conqueror; a frieze discovered at Aphrodisias in 1980 shows a bare breasted and helmeted female warrior labelled BRITANNIA, writhing in agony under the heel of the emperor.[4] She appeared on coins issued under Hadrian, as a more regal-looking female figure.[5] Britannia was soon personified as a goddess, looking fairly similar to the goddess Minerva. Early portraits of the goddess depict Britannia as a beautiful young woman, wearing the helmet of a centurion, and wrapped in a white garment with her right breast exposed. She is usually shown seated on a rock, holding a spear, and with a spiked shield propped beside her. Sometimes she holds a standard and leans on the shield. On another range of coinage, she is seated on a globe above waves: Britain at the edge of the (known) world. Similar coin types were also issued under Antoninus Pius.
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Renaissance and British Empire
It was during the reign of Elizabeth I that "Britannia" came to be viewed as a personification of Britain. In his 1576 General and rare memorials pertayning to the Perfect Arte of Navigation, John Dee used a frontispiece figure of Britannia kneeling by the shore beseeching Elizabeth I, to protect her empire by strengthening her navy.
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During the reign of Charles II, Britannia made her first appearance on English coins on a farthing of 1672 (see Depiction on British coinage and postage stamps below). With the constitutional unification of England with Scotland in 1707 and then with Ireland in 1800, Britannia became an increasingly important symbol and a strong rallying point among Britons.
British power, which depended on a liberal political system and the supremacy of the navy, lent these attributes to the image of Britannia. By the time of Queen Victoria, Britannia had been renewed. Still depicted as a young woman with brown or golden hair, she kept her Corinthian helmet and her white robes, but now she held Poseidon's trident and often sat or stood before the ocean and tall-masted ships representing British naval power. She also usually held or stood beside a Greek hoplite shield, which sported the British Union Flag: also at her feet was often the British Lion, an animal found on the arms of England, Scotland and the Prince of Wales.
Neptune is shown symbolically passing his trident to Britannia in the 1847 fresco "Neptune Resigning to Britannia the Empire of the Sea" by William Dyce, a painting Victoria commissioned for her Osborne House on the Isle of Wight.
New Zealanders adopted a similar personification of their country in Zealandia, Britannia's daughter, who appeared on postage stamps at the turn of the 20th century[10] and still features in the New Zealand Coat of Arms.
Perhaps the best analogy is that Britannia is to the United Kingdom and the British Empire what Marianne is to France or perhaps what Columbia is to the United States. Britannia became a very potent and more common figure in times of war, and represented British liberties and democracy."
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"Waterloo War Memorial Arch, York Road SE1
Posted by Chris Partridge at 09:53
Location: Lambeth, London Borough of Lambeth, London, UK
Waterloo Station was in the throes of a rebuild when war broke out in 1914, a war that claimed the lives of 585 members of the railway staff. When peace came, it was decided to devote the only corner of the site that could be seen from any sort of distance to a memorial that would double as an imposing station entrance.
The sculpture was commissioned from the firm of Brindley and Farmer and may have been carved by Charles Whiffen.
Over the arch, Britannia 'holds aloft the sacred torch of Liberty to her own greatness and glory, and for the guidance of her children and her children's children, and the benefit of mankind in general', in the words of the Architect's Journal.
On either side, children play with the spoils of victory - a laurel wreath, surrendered ensigns etc."