At the south edge of Oeste Park in Madrid near the famous Temple of Debod is placed since 1981 the monument to Sor Juana Ines de la Cruz, by the Cantabrian sculptor Enrique Fernandez Criach, a sculptor who lives in Mexico and was commissioned by a group of Mexicans living in Madrid for the realization of this monument that pays tribute to the writer and dramatist.The life-size bronze statue was casted in Madrid by the sculptor and founder José Luis Fernández. The bronze statue depicts the poet dressed in long religious habit and with a long rosary around her neck, sitting in a chair in writing position. The statue stands on a granite pedestal.
Biography
"Sister (Spanish: Sor) Juana Inés de la Cruz, O.S.H. (English: Joan Agnes of the Cross) (12 November 1651 – 17 April 1695), was a self-taught scholar and poet of the Baroque school, and Hieronymite nun of New Spain. Although she lived in a colonial era when Mexico was part of the Spanish Empire, she is considered today both a Mexican writer and a contributor to the Spanish Golden Age, and she stands at the beginning of the history of Mexican literature in the Spanish language.
She was born Juana Inés de Asbaje y Ramírez de Santillana in San Miguel Nepantla (now called Nepantla de Sor Juana Inés de la Cruz in her honor) near Mexico City. She was the illegitimate child of a Spanish Captain, Pedro Manuel de Asbaje, and a Criollo woman, Isabel Ramírez. Her father, according to all accounts, was absent from her life. She was baptized 2 December 1651 and described on the baptismal rolls as "a daughter of the Church". She was raised in Amecameca, where her maternal grandfather owned a hacienda.
Juana was a devoutly religious child who often hid in the hacienda chapel to read her grandfather's books from the adjoining library, something forbidden to girls. She learned how to read and write at the age of three. By age five, she reportedly could do accounts. At age eight, she composed a poem on the Eucharist. By adolescence, she had mastered Greek logic, and at age thirteen she was teaching Latin to young children. She also learned the Aztec language of Nahuatl, and wrote some short poems in that language.
In 1664, aged 16, Juana was sent to live in Mexico City. She asked her mother's permission to disguise herself as a male student so that she could enter the university there. Not being allowed to do this, she continued her studies privately. She came under the tutelage of the Vicereine Leonor Carreto, wife of the Viceroy Antonio Sebastián de Toledo. The viceroy (whom Appletons' Cyclopædia of American Biography names as the Marquis de Mancera), wishing to test the learning and intelligence of this 17 year old, invited several theologians, jurists, philosophers, and poets to a meeting, during which she had to answer, unprepared, many questions, and explain several difficult points on various scientific and literary subjects. The manner in which she acquitted herself astonished all present, and greatly increased her reputation. Her literary accomplishments garnered her fame throughout New Spain. She was much admired in the viceregal court, and declined several proposals of marriage. In 1667, she entered the Monastery of St. Joseph, a community of the Discalced Carmelite nuns, as a postulant. She chose not to enter that Order, and later, in 1669, she entered the monastery of the Hieronymite nuns.
In response to critics of her writing, Juana wrote a letter, Respuesta a Sor Filotea (Reply to Sister Philotea), in which she defended women's right to education. In response, the Archbishop of Mexico joined other high-ranking officials in condemning Sor Juana's "waywardness". By 1693, Sor Juana seemingly ceased writing rather than risk official censure. However, there is no undisputed evidence of her renouncing devotion to letters, though there are documents showing her agreeing to undergo penance. Her name is affixed to such a document in 1694, but given her deep natural lyricism, the tone of these supposed hand-written penitentials is in rhetorical and autocratic Church formulae; one is signed "Yo, la peor de todas" ("I, the worst of all the women") She is said to have sold all her books, then an extensive library of over 4,000 volumes, and her musical and scientific instruments as well. Only a few writings have survived, which are known as the Complete Works. According to Octavio Paz, her writings were saved by the vicereine.
She died after ministering to other nuns stricken during a plague, on 17 April 1695."
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