"The plaque for Edward Ardizzone, winner of the inaugural Kate Greenaway medal in 1956, at Albion Quay on Ipswich's waterfront.
His daughter, Christiana Clemence, said the town had given her father "his love of the docks and little ships".
Ardizzone, who died in 1979, was best known for his series of "Tim" books.
Ardizzone was born in what is now Vietnam in 1900 and arrived in Suffolk five years later, spending much of his childhood in the care of his grandmother while his parents were on foreign service.
Ms Clemence said his childhood was not entirely happy, due to bullying, but his time in Ipswich played a "very important" part in shaping the maritime theme of his Tim series of books.
"He used to talk about hanging around at the harbour," Ms Clemence said.
"That's when he fell in love with the docks."
The plaque is the 18th granted by The Ipswich Society."
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"Edward Jeffrey Irving Ardizzone, CBE, RA (16 October 1900 – 8 November 1979) was an English artist and creator of children's books.
For Tim All Alone (Oxford, 1956), which he wrote and illustrated, Ardizzone won the inaugural Kate Greenaway Medal from the Library Association, recognising the year's best children's book illustration by a British subject. For the 50th anniversary of the Medal (1955–2005) it was named one of the top ten winning works, selected by a panel to compose the ballot for a public election of the all-time favourite.
Ardizzone's father, of Italian descent, was born in Algeria, then a colony of France, and worked on overseas government service elsewhere in the French colonial empire. Ardizzone's mother was English. Edward was born in the port city of Haiphong, in what is now Vietnam, but which was then known as Tonkin, in the north of French Indo-China.
In 1905, Mrs Ardizzone returned to England with her three eldest children. They were brought up in Suffolk, largely by their maternal grandmother, whilst she returned to join her husband in the Far East. Kelly's Directories for the time show that the Ardizzone family lived in Ipswich at Corder Road between 1905–1910, and in Gainsborough Road from 1911 to 1912. Ardizzone was educated first at Ipswich School and then at Clayesmore School – where he was encouraged by his art teacher.
The first book by Ardizzone listed by the US Library of Congress is The Mediterranean: An anthology (London: Cassell, 1935, OCLC 2891569), compiled by Paul Bloomfield, "decorated by Edward Ardizzone" with "each chapter preceded by illustrated half-title".
In 1936 he inaugurated his best-known work, the Tim series, featuring the maritime adventures of its eponymous young hero, which he both wrote and illustrated. Little Tim and the Brave Sea Captain was published by Oxford University Press in both London and New York that year.
In World War II Ardizzone worked as a full-time, official war artist assigned to the War Office by the War Artists' Advisory Committee. He first served with the British Expeditionary Force in France and Belgium before being evacuated back to Britain. In January 1942 he recorded the arrival of American troops in Northern Ireland. Later that year he went to North Africa and joined the British First Army on its march to Tunisia and then joined the Eighth Army. After El Alamein he went to France during the Allied invasion and then on to Sicily. He witnessed the fall of both Reggio Calabria and Naples, and spent the winter of 1944 in Italy before travelling to Germany. His early experiences between Arras and Boulogne are illustrated and described in his book Baggage to the Enemy (London 1941). An extensive collection of his war pictures, as well as his wartime diaries, can be seen at The Imperial War Museum.
The most famous Tim book is the inaugural Greenaway Medal-winner, Tim All Alone (Oxford, 1956). The series is often thought to have ended[clarification needed] in 1972 with Tim's Last Voyage but that was, in fact, followed in 1977 by Ships Cook Ginger.
His Sarah and Simon and No Red Paint was issued in an edition by Doubleday in 1966.
Beside writing and illustrating his own books, Ardizzone also illustrated books written by others, including the novels of Anthony Trollope. His 1939 characterisation of H. E. Bates's My Uncle Silas is inimitable. He illustrated the C. Day Lewis children's novel, The Otterbury Incident (1948), and one of his happiest collaborations was that with Eleanor Farjeon, especially The Little Bookroom (Oxford, 1955 collection). He also illustrated some novels by the American author Eleanor Estes, including Pinky Pye, The Witch Family, The Alley, Miranda the Great, and The Tunnel of Hugsy Goode (1958 to 1972). He illustrated an edition of J. M. Barrie's Peter Pan, retold by Eleanor Graham, in 1962 and A Ring of Bells (1962), John Betjeman's abridged version for children of his autobiographical poem Summoned by Bells (1960).
For illustrating Titus in Trouble, written by James Reeves, Ardizzone was a commended runner-up for the 1959 Greenaway Medal.
Ardizzone is particularly noted for having not just illustrated the covers and contents of books but inking the title text and author's name in his own hand, giving the books a distinctive look on shelves. An example is Clive King's Stig of the Dump (1963).
The Nurse Matilda series of children's books (1964–1974) was written by his cousin Christianna Brand, who was seven years younger. Their shared grandmother had told the stories to both cousins and she had learned them from her father.
Early in the 1970s, Ardizzone illustrated a new edition of the 20-year-old Little books by Graham Greene: The Little Train, The Little Fire Engine, The Little Horse Bus, and The Little Steamroller. He also illustrated a re-telling of the Don Quixote story for children by James Reeves and his illustrations for the The Land of Green Ginger by Noel Langley are classics in their own right.
Ardizzone also illustrated several telegrams for the Post Office in the 1950s and 1960s, many of which are considered collector's items."
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