"TWIST OF FATE
My bronzes are an in-depth study of archetypes and the symbols used in communicating their relevance in our everyday lives. A commercial, city, or university center provides a traditional and appropriate location for a monumental symbol of unification of spirit.
TWIST OF FATE is a composition of diverse lifestyles, ages, and talents united by a circle--the traditional symbol of unity. The ring has this symbolism in marriage, in describing a life cycle, and in representing infinity. Community leaders gathered at the "round table" in ancient England where many of our laws originated. This ring is modernized with corners and arcs of other, larger rings intersecting the uniting circle. Resting on these larger arcs are the people whose existence revolves around that location. The accent in TWIST OF FATE is on the human life cycle of regeneration: young and old couples, death, and the children who link us.
Because this unity of spirit requires dedication and excellence to achieve, the symbol is elevated above our daily existence by a concrete and stone plinth (traditional building materials.) The brushed stainless steel ring is a tribute to our improved technology and its use. Bronze is traditional for monuments and used in my unique style, the combination of bronze and brushed stainless steel surfaces provides a striking sculpture.
The figures are life-size, fairly simple and abstract, while the faces and hands emerge from the shapes as more realistic. The patina is potash gray. The brushed inner ring and all other surfaces would be protected from the elements by a coating of Increlac (an industrial sealant specifically designed for preserving bronze outdoors), and wax. Maintenance is minimal, involving only inspection, touch-up of chips, and re-waxing annually. The bronze is fastened to the concrete with large hidden bolts, and the concrete is coated with a preservative requiring annual renewal.
The top of the ring is 15-16 feet above the ground." (from
"Chapel was born in 1948 in Glenwood Springs, Colorado, and raised in Grand Junction. He attended Mesa College on an art scholarship, then continued his education in metal smithing (specializing in jewelry) at Colorado State University.
At the age of 22, he moved to Denver where his jewelry-making flourished, and Chapel's creations quickly grew into full-fledged sculptures. Through the support of a sponsor, he created a series of 40 cast bronze sculptures, which were exhibited in a one-man show at the Saks Gallery in Denver; the beginning of many successful shows in Chapel's career. With the desire to learn more about his craft, he took a slight tangent in his path and became Vice President of Quest Foundry, Inc.. This three year immersion in the craft of sculpture, combined with over 35 realistic commissions, resulted in Chapel's distinctive style today.
In December 1984, Chapel was invited to lecture on his sculpture and casting technique at universities in three different cities in the People's Republic of China. He has subsequently participated in several multi-city museum tours, sponsored by the Leigh Yawkey Woodson Art Museum, one of which went to Beijing, China.
In May 1987, Chapel received a commission to do a life size sculpture for the Loveland Civic Center Plaza. Twist of Fate is a sixteen foot high bronze, stainless steel, and concrete sculpture that summarizes the human life cycle. The sculpture was installed in August, 1988.
In 1990 Chapel married Vanessa Kelly and they moved to the Chesapeake Bay to begin training for a world-wide sailing adventure. Inherent in this move was also the opportunity to further study and interpret the people and wildlife living at the edge of land and sea.
After two years on the Chesapeake, the two of them decided they were more at home in the West. In July, 1992 they were offered the opportunity to live on a 330 acre ranch in Northern California, so they packed up and moved back across the entire country. Chapel moved away from birds and figures for awhile, and created several major animal sculptures combining bronze and stainless steel. In the summer of 1995 they moved to the San Francisco Bay area to enable Vanessa to complete her Doctorate. In September of 1996 Harvest Moon, a sculpture of two life-sized Timber Wolves, was installed at the Leigh Yawkey Woodson Art Museum. In 1998 The Nest, a seventeen foot sculpture of an eagle's nest coalescing out of thin air, was commissioned by the town of Breckenridge, Colorado, and installed in June of 2000.
Vanessa became an Assistant Clinical Professor in the Department of Psychiatry in 1998, at the University of California San Francisco School of Medicine. Shortly after that they moved aboard Two Shadows, a forty-six foot Morgan ketch rigged sailboat.
Chapel's work can be found in many corporate and private collections around the world, and his work currently shows at several fine galleries across the United States." (from (
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