Monopoly - London Here & Now - Natural History Museum - Cromwell Road, London, UK
Posted by: Groundspeak Regular Member Master Mariner
N 51° 29.752 W 000° 10.582
30U E 695996 N 5708750
The Natural History Museum, on the north side of Cromwell Road, is a magnificent building both inside and out. A visit to see the architecture alone is worthwhile and that's before your get to see the dinosaurs and other amazing exhibits.
Waymark Code: WMF4E2
Location: London, United Kingdom
Date Posted: 08/21/2012
Published By:Groundspeak Regular Member Team Sieni
Views: 10

Property: Natural History Museum

Board: London - Here and Now Limited Edition (2005)

Colour: Orange

Original 1935 Property: Tennessee Avenue

Details of Property:

Wikipedia [visit link] tells us:

"The Natural History Museum is one of three large museums on Exhibition Road, South Kensington, London, England (the others are the Science Museum, and the Victoria and Albert Museum). Its main frontage is on Cromwell Road. The museum is an exempt charity, and a non-departmental public body sponsored by the Department for Culture, Media and Sport.

The museum is home to life and earth science specimens comprising some 70 million items within five main collections: Botany, Entomology, Mineralogy, Palaeontology and Zoology. The museum is a world-renowned centre of research, specialising in taxonomy, identification and conservation. Given the age of the institution, many of the collections have great historical as well as scientific value, such as specimens collected by Darwin. The Natural History Museum Library contains extensive books, journals, manuscripts, and artwork collections linked to the work and research of the scientific departments. Access to the library is by appointment only.

The museum is particularly famous for its exhibition of dinosaur skeletons, and ornate architecture — sometimes dubbed a cathedral of nature — both exemplified by the large Diplodocus cast which dominates the vaulted central hall.

Originating from collections within the British Museum, the landmark Alfred Waterhouse building was built and opened by 1881, and later incorporated the Geological Museum. The Darwin Centre is a more recent addition, partly designed as a modern facility for storing the valuable collections.

Like other publicly funded national museums in the United Kingdom, the Natural History Museum does not levy an admission charge.

The foundation of the collection was that of the Ulster doctor Sir Hans Sloane (1660–1753), who allowed his significant collections to be purchased by the British Government at a price well below their market value at the time. This purchase was funded by a lottery. Sloane's collection, which included dried plants, and animal and human skeletons, was initially housed in Montague House in Bloomsbury in 1756, which was the home of the British Museum.

Most of the Sloane collection had disappeared by the early decades of the nineteenth century. Sir George Shaw (Keeper of Zoology 1806-13) sold many specimens to the Royal College of Surgeons. His successor William Elford Leach made periodical bonfires in the grounds of the museum. In 1833 the Annual Report states that, of the 5,500 insects listed in the Sloane catalogue, none remained. The inability of the natural history departments to conserve its specimens became notorious: the Treasury refused to entrust it with specimens collected at the government's expense. Appointments of staff were bedevilled by gentlemanly favoritism; in 1862 a nephew of the mistress of a Trustee was appointed Entomological Assistant despite not knowing the difference between a butterfly and a moth.

J.E. Gray (Keeper of Zoology 1840-74) complained of the incidence of mental illness amongst staff: George Shaw threatened to put his foot on any shell not in the 12th edition of Linnaeus' Systema Naturae; another had removed all the labels and registration numbers from entomological cases arranged by a rival. The huge collection of conchologist Hugh Cuming was acquired by the museum, and Gray's own wife had carried the open trays across the courtyard in a gale: all the labels blew away. That collection is said never to have recovered.

The Principal Librarian at the time was Antonio Panizzi; his contempt for the natural history departments and for science in general was total. The general public was not encouraged to visit the Museum's natural history exhibits. In 1835 to a Select Committee of Parliament, Sir Henry Ellis said this policy was fully approved by the Principal Librarian and his senior colleagues.

Many of these faults were corrected by Richard Owen, appointed Superintendent of the natural history departments of the British Museum in 1856. His changes led Bill Bryson to write that "by making the Natural History Museum an institution for everyone, Owen transformed our expectations of what museums are for".

Owen saw that the natural history departments needed more space, and that implied a separate building as the British Museum site was limited. Land in South Kensington was purchased, and in 1864 a competition was held to design the new museum. The winning entry was submitted by civil engineer Captain Francis Fowke who died shortly afterwards. The scheme was taken over by Alfred Waterhouse who substantially revised the agreed plans, and designed the façades in his own idiosyncratic Romanesque style which was inspired by his frequent visits to the Continent. The original plans included wings on either side of the main building, but these plans were soon abandoned for budgetary reasons. The space these would have occupied are now taken by the Earth Galleries and Darwin Centre.

Work began in 1873 and was completed in 1880. The new museum opened in 1881, although the move from the old museum was not fully completed until 1883.

Both the interiors and exteriors of the Waterhouse building make extensive use of terracotta tiles to resist the sooty climate of Victorian London, manufactured by the Tamworth-based company of Gibbs and Canning Limited. The tiles and bricks feature many relief sculptures of flora and fauna, with living and extinct species featured within the west and east wings respectively. This explicit separation was at the request of Owen, and has been seen as a statement of his contemporary rebuttal of Darwin's attempt to link present species with past through the theory of natural selection.

The central axis of the museum is aligned with the tower of Imperial College London (formerly the Imperial Institute) and the Royal Albert Hall and Albert Memorial further north. These all form part of the complex known colloquially as Albertopolis."

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