Architecture and Meaning on the Athenian Acropolis
N 37° 58.293 E 023° 43.576
34S E 739473 N 4206165
The Acropolis is a World Heritage Site well known for the famous buildings constructed on it, including the Parthenon. A book by Robin Francis Rhodes titled "Architecture and Meaning on the Athenian Acropolis" was written about it.
Waymark Code: WMAJQ7
Location: Greece
Date Posted: 01/22/2011
Views: 44
"The Acropolis of Athens is the best known acropolis in the world. Although there are many other acropolises in Greece, the significance of the Acropolis of Athens is such that it is commonly known as The Acropolis without qualification. The Acropolis was formally proclaimed as the pre-eminent monument on the European Cultural Heritage list of monuments on 26 March 2007. The Acropolis is a flat-topped rock which rises 150 m (490 ft) above sea level in the city of Athens, with a surface area of about 3 hectares. It was also known as Cecropia, after the legendary serpent-man, Cecrops, the first Athenian king.
The entrance to the Acropolis was a monumental gateway called the Propylaea. To the south of the entrance is the tiny Temple of Athena Nike. A bronze statue of Athena, sculpted by Phidias, originally stood at its centre. At the centre of the Acropolis is the Parthenon or Temple of Athena Parthenos (Athena the Virgin). East of the entrance and north of the Parthenon is the temple known as the Erechtheum. South of the platform that forms the top of the Acropolis there are also the remains of an outdoor theatre called Theatre of Dionysus. A few hundred metres away, there is the now partially reconstructed Theatre of Herodes Atticus."
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The following description of the book is from
Amazon.com:
"Architecture and Meaning on the Athenian Acropolis focuses on the architectural complex that is generally considered to be one of the outstanding achievements of Western civilization. Though the buildings and sculpture of the Acropolis, erected over the course of the fifth century B.C., have been scrutinized by scholars for more than a century, Robin Rhodes' sensitive analysis is the first to consider the ensemble as a whole and to explain how the monuments communicate meaningfully with one another to form an iconographic narrative. His study also examines the sculpture and decoration, which were conceived together with the abstract features, while relating both to the larger issues in Greek architecture and aesthetics."