
Museo della Civiltà Romana (Museum of Roman Civilization)
N 41° 49.883 E 012° 28.658
33T E 290545 N 4634131
Quick Description: The Museum of Roman Culture has 59 sections illustrating all aspects of ancient Roman civilization through an outstanding collection of plaster casts taken from originals in museums across the world, many of which have since been damaged or lost.
Location: Italy
Date Posted: 7/28/2007 4:49:10 AM
Waymark Code: WM1XK7
Views: 198
Long Description:Nearest Metro Station - Line B "Eur Fermi"
Straight Line Distance : 613m
This is the only museum in the world to give a complete overview of
ancient Roman civilization. It is particularly important for the
documentary value of the casts and its capacity to show the
original composition of many great works, now dismembered and
divided among different museums around the world.
The museum charts the progress and developments of the Roman
Empire in a much more comprehensive way than all the scattered
marbles in other museums. And if you've got an idea of the
geography of Rome, the models will keep you fascinated for
ages.
The large scale model of Rome at the time of Emperor Constantine
and the casts of Trajan's column commissioned by Napoleon III are
both known worldwide as symbols of the museum.
The impressive building was originally to be part of the
Universal Exhibition of Rome planned for the year 1942, the
twentieth anniversary of Fascism. However, the onset of war was
becoming ever more tangible and building work was interrupted. The
initiative was later taken up again by the Comune of Rome in the
Fifties, thanks to the fact that FIAT offered to finance the
project. The museum was opened to the public on 21 April 1955.
It was designed by the architects Aschieri, Bernardini,
Pascoletti and Peressutti. The architectural complex is made up of
two imposing structures connected in a symmetrical arrangement in a
long portico of travertine columns, which delimit the piazza
created and surrounded by the structure and give it scenographic
depth.
Onto the centre of the protrusions, set obliquely to the piazza,
open two monumental entrances, each of which leads to a narrow
embedded corridor, flanked by solemn travertine columns. These
openings form an interruption in the compact mass of the walls,
which are immense blind surfaces of dressed blocks of bugnate
worked dark tufo, surmounted by a travertine cornice. The static
nature of the external space is in contrasted to the outstanding
dynamism of the internal space, which is articulated into an
irregular sequence of rooms of various shapes and sizes.